How Much Performing Time Do I Need For Stand-up Comedy Gigs?

One of the things that folks who are trying to learn how to do stand-up comedy want to know is how much performing time they need for any particular stand-up comedy gig.

That aspect of stand-up comedy is dependent upon not only skill level but the requirements of the gig itself.

Here are some basic performance time guidelines for various types of stand-up comedy gigs:

Open Mic: Usually open mic comedians are provided 3-5 minutes of stage time. This makes sense because most open mic comedians don’t yet know how to do comedy and are in the early development stages of their stand-up comedy careers.

Note: There are instances when an open mic will afford a new comedian 10+ minutes of performing time. But this situation is rare. Keep in mind that the vast majority of new comedians can generate little if any laughter during any performance regardless of the time provided for performing.

Open mic gigs are generally non-paid performances. The performance time requirements for paid performances are:

Opening Act: The opening act in a stand-up comedy show is generally required to perform for 10-15 minutes at the beginning of a multi-comedian show.

The opening act is often the emcee of a stand-up comedy show as well, introducing the middle or feature act and the headliner as a part of their gig responsibilities.

Note: Sometimes you can have what is called a “tag team” arrangement where each performing comedian introduces the next comedian in the lineup.

Middle or Feature Act: The middle or feature act is generally required to perform for 20-30 minutes after the opening act.

Headliner: The headliner is generally required to perform for 45 minutes after the middle or feature act.

And as a general rule, increased knowledge of how to do comedy is required for each level as a comedian progresses.

Note: The paid gig times above reflect a typical 2-comedian or 3-comedian stand-up comedy show.

I should also mention that the guidelines for performance time above are general in nature and can vary significantly depending on the type of gig the comedian is hired to do – regardless of the “title” a comedian holds.

For example, headliners can be hired as both opening acts and feature acts. When I was actively performing, I was frequently hired for work at the Coach House in San Juan Capistrano, CA.

On almost every stand-up comedy show they hosted, all three acts — the opening act, middle or feature act, and the headliner — were all headlining comedians.

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For corporate-type gigs, headlining comedians can be hired to do as little as 15-20 minutes of stand-up comedy depending on what the client wants from the comedian as far as performance time goes.

But typically for corporate gigs, the headlining comedian is required to perform 30-45+ minutes of stand-up comedy material.

And you will see comedians who know how to do comedy at all levels performing at stand-up comedy open mic nights in order to develop new stand-up comedy material.


Additional Insights

Understanding the nuances of performance time is crucial for any aspiring comedian. Each level of performance time comes with its own set of challenges and expectations.

Preparation and Material: Comedians must tailor their material to fit the allocated time. A 5-minute open mic set will differ significantly from a 45-minute headliner set, not just in length but in the structure and pacing of the jokes.

Audience Engagement: Shorter sets, like those in open mics, often require comedians to grab the audience’s attention quickly. Longer sets allow for more storytelling and interaction, but maintaining engagement over a longer period is more challenging.

Flexibility: Comedians should be prepared to adapt their sets based on audience reactions and the specific demands of the gig. For instance, a corporate event may require cleaner material compared to a comedy club performance.

Continuous Improvement: Regularly performing at open mics and smaller gigs allows comedians to refine their material and delivery. Even seasoned comedians return to these stages to test new material and keep their performances sharp.

Networking and Opportunities: Open mics and smaller gigs are also great opportunities for networking. Building relationships with other comedians, bookers, and club owners can lead to more and better gig opportunities.

Professionalism: Regardless of the performance length, professionalism is key. Being punctual, prepared, and respectful can make a lasting impression and increase the likelihood of being rehired or recommended for other gigs. Having consistent contact information (phone, VoIP, etc.) is vital as well.

Balancing Act: As comedians advance, they must balance their time between performing, writing new material, and promoting themselves. Effective time management is essential to sustain a successful career in stand-up comedy.

Understanding these dynamics can help comedians at all levels make the most of their performance opportunities and grow in their careers.

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